Pao-Leng Kung
A / P
Pao-Leng Kung
龔寶稜
공보릉
(1996) (Taiwanese artist) (Nomad)
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Her recent practise is based on different layers and on the study of space and domestic settings.
She aim to explore the narrow pocket of spaces or to potential use embedded in the mundane objects, fixtures, and architecture through all the body of work. Merging the concepts of house, container and human’s ideal lifestyle forms an approach to unfold subtle possibilities and blurs the boundary of space and art form.
近期的創作是基於不同層次的空間及居家場景的研究。揉雜對房屋，容器和人類理想生活之想像和概念作為路徑。
試圖透過作品抓取空間中隱藏的開口，提取大量生產下製造出的物件們本身潛在的特殊質地，透過不同程度的介入和揀選組織另一種空間紋理。而當現成物件脫離全然的功能性敘事背景，如何被指認，被閱讀，是否產生了新的功能、新的空間。
而以家用物件為基礎的產物，使收藏和維護成為像是在整頓居住空間，維護家屋的狀態。（這也打開了某些想像）。
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The focus of the artworks is mainly on painting and pushing it further into spatial installation.
Exploring pictorial and sculptural space within painting, and also painting itself through multi-discipline, such as literature, architecture and philosophy. To interpret painting as object, in the meantime, imagine the spatial border (field) of painting: not a limited space but becoming a space on its own. Then, rigorously to question what does painting contain.
創作主要圍繞在繪畫和空間裝置。
探討繪畫空間以及繪畫本身，並揉雜文學、哲學、建築...等對空間的解讀，進而作為理解繪畫的途徑。將繪畫視為物件，同時想像繪畫的空間邊界:它如何自身成為空間，那繪畫究竟裝載了些什麼。
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Royal College of Art, MA Painting
Sep. 2018 - Jul. 2020
Chelsea College of Arts, UAL, Exchange Programme
Sep. 2017 - Feb. 2018
Taipei National University of the Arts, BFA, Major in Painting
Sep. 2014 - Jun. 2018
(CV)
For enquires, please feel free to contact_
paolengkung.info(at)gmail.com
Images and texts may not be reproduced without permission.
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Pao-Leng Kung
龔寶稜
공보릉
(1996) (Taiwanese artist) (Nomad)
/
Her recent practise is based on different layers and on the study of space and domestic settings.
She aim to explore the narrow pocket of spaces or to potential use embedded in the mundane objects, fixtures, and architecture through all the body of work. Merging the concepts of house, container and human’s ideal lifestyle forms an approach to unfold subtle possibilities and blurs the boundary of space and art form.
近期的創作是基於不同層次的空間及居家場景的研究。揉雜對房屋，容器和人類理想生活之想像和概念作為路徑。
試圖透過作品抓取空間中隱藏的開口，提取大量生產下製造出的物件們本身潛在的特殊質地，透過不同程度的介入和揀選組織另一種空間紋理。而當現成物件脫離全然的功能性敘事背景，如何被指認，被閱讀，是否產生了新的功能、新的空間。
而以家用物件為基礎的產物，使收藏和維護成為像是在整頓居住空間，維護家屋的狀態。（這也打開了某些想像）。
+
The focus of the artworks is mainly on painting and pushing it further into spatial installation.
Exploring pictorial and sculptural space within painting, and also painting itself through multi-discipline, such as literature, architecture and philosophy. To interpret painting as object, in the meantime, imagine the spatial border (field) of painting: not a limited space but becoming a space on its own. Then, rigorously to question what does painting contain.
創作主要圍繞在繪畫和空間裝置。
探討繪畫空間以及繪畫本身，並揉雜文學、哲學、建築...等對空間的解讀，進而作為理解繪畫的途徑。將繪畫視為物件，同時想像繪畫的空間邊界:它如何自身成為空間，那繪畫究竟裝載了些什麼。
/
Royal College of Art, MA Painting
Sep. 2018 - Jul. 2020
Chelsea College of Arts, UAL, Exchange Programme
Sep. 2017 - Feb. 2018
Taipei National University of the Arts, BFA, Major in Painting
Sep. 2014 - Jun. 2018
(CV)
For enquires, please feel free to contact_
paolengkung.info(at)gmail.com
Images and texts may not be reproduced without permission.
