Pattern

(2023.06.03-2023.07.08)
(Gene Gallery, Shanghai, China)



#furniture, circulation, settle, location, habitat, moving, personal space, sketch, reshape, layout, belonging, 5 years, 8 places, landscape, room, package, air, scratches







25.136365549938432, 121.47198614232894  Kuandu, Taipei
25.161238343109787, 121.45449812212856  Tamsui, New Taipei
51.48497378517335, -0.12178592871150258  London SW8
51.5520816634655, -0.11368512908398577  London N7
51.4971054218313, -0.23523362698688347  London W6
51.491625581954686, -0.20627250230106364  London W14
25.008758405067326, 121.20677485451832  Zhongli, Taoyuan
                                                            Mapo-Gu, Seoul

31.238290142035375, 121.4879568197723  Shanghai






像是住家的場域,不自覺便能在腦海中劃出一個住所的樣態、格局。
冷氣機是空間的耳朵,便能聽見空間的召喚:近五年間的八個住所,八個可以被代稱為家的地方,曾經生活過的座標。


一部個人的遷徙史。

收合著每一趟移動歷程殘存下來的記憶岩層,在不真正屬於自己的場所,累積的所屬和所有。
一居室,包容且安定的場所。交換,留下了道刮痕,也帶走一個事件。短暫擁有的每一間住房,每一樣日常物品,在離開後,都產生特殊的光輝,不時會在腦海的某個時刻閃現。
將其收攏在這一場所,重新塑造新的生活塗層,疊合每一段棲息空間的表皮。




Like a living space, I can instinctively visualize its layout.
The air conditioner serves as the ear of this space, allowing me to hear the calling of places: the living coordinates of the eight residences I once lived in the past five years.

A personal history of migration.

Collecting the remnants of memories left behind from each move, accumulate a sense of belonging to those places where I have never truly settled.
A single room, an accommodating and stable place. For exchange, scratch left on the wall, then take away one story. Every house and every daily object I have temporarily owned offers an extraordinary brilliance after moving out, which constantly flashes in my mind.
Store them in this space to reshape a new room; the skin of one habitat overlap with another.







展場中無法被移動被帶走的局部,包含了觀者的存在。可以被證明。

展場空間的每一個動線轉折,一個重複的圈。

關於地方,以及配置、格局、 生活模式。

爛掉的木頭地板,地板被撬開的時間裡,生活也被撬開。

空氣的顏色。獨處的時間。

五則關於房間與通勤移動的筆記。

_的濕度,_的冷氣機,_的陽台,_的窗簾,_的水管,_的碎屑,_的污漬。







The unremovable parts within the exhibition space encompass the presence of the viewers. It can be evidenced.

Each turn of movement within the exhibition space forms a repeated circle.

Regarding places, their arrangements, layouts, and ways of life.

The rotting wooden floor, when pried open, disrupts the once stable daily life.

The color of the air. Moments of solitude.

Five notes about rooms and commuting.

The humidity of _, the air conditioner of _, the balcony of _, the curtains of _, the water pipes of _, the debris of _, the stains of _.