Offbeat
(2024.06.08-2024.07.06)
( Eslite Gallery, Taipei, Taiwan)
(video)
(verb.)
(noun.)
涵蓋了動詞和名詞的意涵,
如同作品製作過程中所設想的: 物質的乘載、移動,創作者的動作,觀看的節奏與步伐,
以及,觀看時對作品、材料和空間層次的認知延遲。
(noun.)
涵蓋了動詞和名詞的意涵,
如同作品製作過程中所設想的: 物質的乘載、移動,創作者的動作,觀看的節奏與步伐,
以及,觀看時對作品、材料和空間層次的認知延遲。
在原先繪畫的普遍狀態以外,顏料的身體,先乾燥成膜,其後,移植、降落至新的表面。
這個過程像是一連串繪畫動作的延遲,延長了物質在基底落下的時間差。
最終展示給觀者的畫面,是置入不同時序、不同形式的塑膠物質所編制的圖層紀錄。
在作品的尺幅方面,選擇了現代人日常視線多數匯聚之處的體積樣態,如:書本、螢幕、文件。如此相對便利、輕盈、不陌生的尺數。
The paintings displayed in this exhibition are recent works from the past year, capturing a sequence of ongoing actions and behaviors throughout the creative process. The aim is to expand nuanced layers of spatial depth within a relatively flat surface.
Beyond the typical state of painting, the paints are allowed to dry into a film before they land on new surfaces.
This process introduces a delay in the sequence of painting actions, prolonging the timeline for the material to settle. The final images presented to the viewers are layered histories incorporating plastic materials from different timelines and forms/bodies.
The artwork's dimensions have been selected to mirror the visual patterns commonly encountered in the daily landscape of modern individuals, such as books, screens, and documents. These dimensions are relatively convenient, lightweight, and familiar to the viewer.
