(2025.08.05-2025.08.10)
(Horanggasy Glasspolygon, Gwangju, Korea)
展覽容納了不同觀看層的疊合。每個人都各自有閱讀跟經驗各種事物的方式，也有自己的一套篩選機制，於是，有些記憶會被保存，有些場景會讓你的視線停留，有些文字會被記錄。
我們看見的，或許從來都不是原始的樣貌，光穿過一層膜，物質經過一次翻譯。將風景加工、渲染、過濾。
事物不再堅實，那個「濾鏡」會是流動的、即時的、對觀眾敞開的。那個「濾鏡」不只是創作者如何經驗一個新的城市，也成為觀者如何經歷創作者所圈選的視野的媒介。
每個觀看都是一次過濾：一次柔焦的轉化，一次的顯影。
是折射過的想像，不是社群濾鏡的扁平美化。
This exhibition holds an assemblage of overlapping perceptions. Each person carries their own way of reading and sensing the world. Then certain memories are preserved, some scenes are captured, and particular words are marked.
What we see may never be the original. Light passes through a membrane, and matter undergoes translation. Landscapes become altered, washed, and filtered.
The boundaries of space begin to dissolve. Things are no longer solid.
The “filter” becomes fluid, real-time, and embraces the viewers as part of it. It is not only how the artist experiences a new city, but also how the viewers encounter the artist’s circled, refracted gaze.
Every act of looking is a form of filtration: a soft-focus transformation, a slow development.
It is a refracted imagining, but not the flat beautification of a social media lens.
